3 Soldiers from the play Across the Black Water
-- launched at the Imperial War Museum


The Invisible Army
by Dominic Rai

(Dominic Rai will be speaking at the Globe in Hay-on-Wye on Sunday, October 4, 2009 as part of a series of Black History Month events in Wales)

My whole career has brought me into contact with the role of Indians in World War One. In 1985, while at Tara Arts, I was part of the team which researched and devised Sepoy's Salt, Captain's Malt, a play about the war. In 1989, I had a commission for Tara called Portraits, which looked at the history of Asians in the UK including the role of Asian soldiers. A 1993 Mán Melá production, Asian Voices, included a memorable World War One scene.

The play, Across the Black Waters, was timed to coincide with the 80th anniversary of the end of World War One. In the spring, a team from the company including myself, Gerald Wells and Caroline Goffin visited the Indian war sites of Flanders.
I hope you enjoy seeing Across the Black Waters as much as I have enjoyed helping to create the production. I hope it makes you think of the people who sacrificed so much and of the heartache of the people they left behind.

DOMINIC RAI, Artistic Director, Mán Melá Theatre Company, October 1998

___________________________________________________________________
1986

Sepoy’s Salt, Captain’s Malt. Tara Arts, writer, Rukhsana Ahmad
1989

Portraits. Writer and Director. Commission for Tara Arts.
1993-1994

Asian VOICES exploring the British Asian experience from 1914-1993
June 1998

Launch of Across the Black Waters at the Imperial War Museum
October – November 1998

Across the Black Waters including performances and workshops at the National Army Museum
Autumn 1998

Services of Remembrance – Crawley, Deptford, Chattri
October 1998

Remembering the Dead, The Albany with Commonwealth War Graves Commission
November 1998

Symposium at the Imperial War Museum on the role of Indian soldiers in World War One
March 1999

Group visit to Flanders
October – November 1999

The Untouchable Century
UK tour celebrating the life and work of Mulk Raj Anand
November 1999

Contributions to: Like Another Mahabharata, BBC, Radio 4
The Unknown Soldiers – Granada TV
October 2000

The Pity of War and Peace, The Nehru Centre, W1
celebrating the life and work of Mulk Raj Anand
November 2000

Contributed to The Forgotten Soldiers BBC Radio 2
February 2001

Descendants of Soldiers, Voice Box, South Bank, London
May 2001

Day trip to Indian Memorial at Neuve-Chapelle
November 2003

Across the Black Waters, National Archives, Kew
December 2004

Mulk Raj Anand 1905-2004 : A tribute, Nehru Centre, London W1
Descendants of Soldiers



Griots.net FEATURE

compiled by Marva Jackson Lord

Dominic Rai is the founder and Artistic Director of Mán Méla Theatre company. Dominic directed two shows based on the writings of the great Indian novelist Mulk Raj Anand. Across the Black Waters was adapted from his classic World War One novel while The Untouchable Century looked at his life and work.
_______________

INDIAN SOLDIER’S MONOLOGUE

From PORTRAITS 1989
ASIAN VOICES 1993-4
by Dominic Rai

SOLDIER

From India, 2 ¼ million Indian soldiers fought for Britain in the 1st World War. Britain saved on its own war expenditure by increasing the tax-burden on the ordinary Indian; and encouraged the development of the cotton and iron and steel industries to help in supplying materials. In addition to soldiers, skilled doctors and nurses were also sent from India to the British war effort. By March 1917, an Indian Munitions Board had been set up to “regulate, co-ordinate and promote the production and distribution of war-related supplies.”

It is estimated that India supplied Britain materials to the value of £250 million. In addition, 2 war loans were raised in India in 1917 and 1918, railing a total of £100 million in cash.

India therefore proved during the war to be literally a jewel in the British crown.


INDIAN SOLDIER:

I bet it’s 11.30. (Looks at watch and laughs gently). I needn’t have looked. I just know. Listen (touches his ear and takes a deep breath, tip toes around and then stops)

When it’s quiet and misty it usually means the Germans are going to gas or bomb us. But we haven’t got gas masks. So we quickly dive into the nearest ditch, and cover our faces with handkerchiefs soaked in piss.

We curse the wind that blows gas in our direction, and we try to cover the heads of the frightened horses, their bladders dry. We want to fight as cavalry. It’s always easy to piss before a cavalry charge.

Our feet are frozen, our hair wet from the rain. But we don’t let it get us down. We fight like braves on a ration of jam sandwiches. Now, there is such a shortage of arms that we are making hand grenades out of jam jars and firing petrol cans into enemy trenches with catapaults.

We stuff bits of steel pipes with dynamite to blow up the barbed wire. The Angrez soldiers call it the Bangalore torpedo. Thanks to jam! That’s how we fought at Ypres. Imagine the newspaper headline. “The Sixth Indian Cavalry Wins Major Battle in France – Thanks to Jam!”

In this god-forsaken land, there is no sun. It’s like 11.30 in the day, in the evening, and at night it’s the same, only darker and colder.

I remember when we docked at Liverpool. It was 25th November 1914. The streets were packed with Angrez cheering the arrival of the Indian troops. Women rushed to put flowers in the turbans of the Sikhs, and the horses pranced about showing off for the crowds.

We got to London on the 10th of December. We visited the hospital for wounded Indian soldiers on Victoria Street. The Baluch regiment lost 500 men out of 560; the Brahmin regiment lost even more! Sir Pratap told us.

“The British are finally thinking of awarding the Victoria Cross to Indian soldiers.” What a pity so many of our men have to die before the Angrez recognise our valour.

Today Somnath died. We sat in that trench. He was on a lump of earth, frozen, blown the night before, and me on an unexploded shell.

We sat and talked like exiles, of how pleasant our village was, its houses, trees, fields and our people, and how that when we left they came to wish our safe return.

Then we sat awhile and talked some more. A machine gun swept the parapet. The bullet hit him in the throat and he fell in a heap. You know even dead bodies have their humour. An eyeless sardonic mockery. I stroked his hair, wiped the bloody saliva from his cheeks and kissed him. I will never forget him.

Slow fade.






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